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#1 (permalink) |
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Moderator Emeritus
Loves Yellow Subtitles Join Date: Jun 2003
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EE in HD
This has probably been answered before, but I was wondering why we’re still seeing edge enhancement (EE) on HD DVD/Blu-ray transfers. Are they still low-pass filtering these transfers to reduce flicker, etc.? Are the EE-laden transfers a result of using the same master as the original DVD (e.g., 40-Year-Old Virgin)?
Shed some light, brethren! ![]()
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#2 (permalink) |
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Actor
Join Date: Jun 2002
Location: "Vyenna", VA
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I would guess the master, but A Few Good Men actually eliminated the massive amounts of EE in it, so maybe it's not.
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#3 (permalink) | |
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It's Good to Play Together
Join Date: Oct 2001
Location: NJ, USA
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Quote:
1) Often if a hidef movie is not razor sharp, it is characterized as "soft" and having "no 3d pop" in reviews. This is undesirable, far less so than a transfer that looks "sharp and detailed with occasional halos." So I would guess sometimes EE is added to films that lack fine detail sometimes. In the same train of thought, grain is often associated with a shitty transfer (unless the director/cinematographer has gone out of their way to mention somewhere that the grain is in there on purpose) - sometimes resulting in DNR to filter out grain. 2) Sometimes EE is purposely added after filming by the director for various reasons. 3) Sometimes the master got EE'd for whatever reason, and there is no backup copy aside from the film elements. Of course, in this case retransferring the film just to get rid of EE would be quite a costly endeavor that probably would not recover its cost unless it was a very popular movie. So in this case its a matter of release it with EE, or don't release it at all - in most cases, people would rather have a transfer with a little EE than nothing at all.
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For every shadow, no matter how deep, is threatened by morning light. |
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#5 (permalink) | |
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Moderator Emeritus
Loves Yellow Subtitles Join Date: Jun 2003
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Early Adopting So You Don’t Have To. |
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#8 (permalink) |
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Nothing But the Best
Join Date: Sep 2004
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Many of these transfers, especially of catalog titles, were done with only DVD in mind, so EE was added then. The studio (I'm pointing my finger in your direction Universal) is too cheap to go back and do a new transfer so we're stuck with it. Granted, it had no business on SD DVD either, but someone somewhere seems to dig it. Probably figure all those people with players hooked up to old tv's via composite will like it.
And there are other reasons as well as Ruined mentioned. Sometimes it actually gets added when the 2k (or 4k) digital intermediate is done believe it or not. I've seen more than a few films in theaters with EE. Odd since the better way to do it is shoot with a sharper film and cinematography style in the first place. But I guess sometimes the director decides he wants it sharper after the fact. Worse case of EE I ever saw in a theater was Inland Empire, which was shot on SD DVD. Every wide shot had tons of EE added to try to make up for the lack of sharpness of SD. I swear the halos were the size of a small Volkswagen. Still a good film though. |
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#9 (permalink) | |
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It's Good to Play Together
Join Date: Oct 2001
Location: NJ, USA
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For every shadow, no matter how deep, is threatened by morning light. Last edited by Ruined : 11-14-2007 at 06:59 AM. |
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